Vivienne Shark LeWitt

Vivienne Shark LeWitt
Vivienne Shark LeWitt
Vivienne Shark LeWitt
Vivienne Shark LeWitt

Vivienne Shark LeWitt

A$850.00

Untitled (Dangerous Acquaintances), 1986
Vivienne Shark LeWitt (born 1956)
Lithograph, ed. of 8; printed by John Loane, Victorian Print Workshop Melbourne
27.7 x 21.6 cm (image, irregular) frame: 43.5 × 36 cm
signed and dated lower right

Other notes: Other impressions of this print are in the collections of the National Gallery of Australia (acc. no. 95.822) and the Art Gallery of NSW (acc. no. 452.1988)
Related work: Dangerous Acquaintances, 1986, oil on wood, 25 x 15 cm.

$850 framed

enquire:
simon@ensemblefineart.com.au
0419 540 162

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In Dangerous Acquaintances, Vivienne Shark LeWitt explores the difficulty of living.
“A naked man with his back turned empties a vase of water over a woman who lies in the corner of the picture, startled by the surprise of her lover’s rebuke, a rejection. A shock like cold water is the alarm engendered by such unpredictable behaviour in others. There are always two players in the game of chance, two principles locked in perpetual conflict. Lovers may enjoy a fragile respite, but their demons are not far away scheming for an upset. Even in love or because of it, there is fear. The gods of light and the gods of darkness play at their battle as in heaven, so on earth: good and evil, male and female, love and death. In the dealing of destiny the abstraction, Time, is the only quality which can describe the spheres, because the events which fill it merely repeat. Whatever the tip of the scales, at any one point, the total contents remain the same. Good coexists with Evil, and the balance of power awaits the next spin of the dice”.

Vivienne Shark LeWitt was born in Sale, Victoria in 1956. She studied at the University of Tasmania’s School of Art and Alexander Mackie College in Sydney. She started exhibiting in the late 1970s, with numerous solo shows at Anna Schwartz Gallery, the Ian Potter Museum of Art, University of Melbourne, Roslyn Oxley9 and Tolarno, Melbourne. Her work has been shown at major institutions across Australia, the United States, Germany, France, the United Kingdom and New Zealand, including the National Gallery of Victoria (Melbourne), Museum of Contemporary Art (Sydney), Art Gallery of New South Wales, Heide Museum of Modern Art, Institute of Modern Art (Brisbane), Museum of Modern Art (Paris) and the Guggenheim (New York). In 2023, Vivienne was exhibited as part of Melbourne Now, National Gallery of Victoria and in 2024 in the 18th Ade-laide Biennale of Australian Art, Art Gallery of South Australia.
Shark LeWitt’s work is held in many significant public collections, including those of the Guggenheim, National Gallery of Victoria, Art Gallery of New South Wales, the Museum of Contemporary Art, Australian National Gallery, Parliament House and the universities of Melbourne, Queensland and Western Australia.